Beer Education Archives - Craft Beer Blog from The Beer of the Month Club

Beyond the Bottle: Shoutout to the Beer Artists

May 15, 2020 by Ken Weaver

I’m really digging the label art featured on Sudwerk’s Microfauna, created by the brewery’s in-house label artist Gregory Shilling and featuring, I think, a tardigrade (aka ‘moss piglet’) double-fisting some beer cans, surrounded by microbial drinking buddies. It’s super weird, evocative, scientifically questionable… but I think it’s great, and it nails the overall surreal and world-building vibe that permeates so many beer labels and beer artworks these days.

I love this creative space. And, while we’re all bunkered down for the indeterminate future, now seems an ideal time to shout out some of the folks contributing a ton within the space of label design and beer-related artwork. First off, AJ Keirans with @16ozCanvas has been rounding up a bunch of us for podcasts and features, and his archive of podcasts very likely has your favorite artist in there somewhere, going into detail about process, influences, and inspiration. Em Sauter’s been creating daily educational beer drawings and comics over at @pintsandpanels. And Nicolas Fullmer (@beyondtheale) has been sharing his increasingly detailed beer illustrations on the regular—predominantly in his label designs for Monkish.

I’ve missed a ton of folks. In Cali: the labels of HenHouse, Cooperage, and Modern Times all come to mind. Who do you find inspiring in the world of beer art? Whose label artwork do you think deserves some attention? Let us know on Twitter at @RareBeerClub.

Beyond the Bottle: Do You Cellar?

March 15, 2020 by Ken Weaver

A number of beers recently featured in the club have been vintage bottles, picked specifically because they’re drinking at their prime, and it’s had me thinking a lot about cellaring overall lately. I’ll start by saying, despite writing about beer professionally for about a decade, I tend to feel pretty out-there when it comes to discussing beer cellars or beer collections… I have (I checked) literally one bottle of cellared beer right now. It’s in our kitchen cupboard, and I didn’t buy it. Our little wine fridge is focused on younger Pinots and Tablas Creek releases.

This is very much personal preference, and it’s evolved a bit over the years. When we lived in DC and I was trading beer regularly, we at least had a closet full of ageable beer—but that was functionally more of an on-deck circle for the regular tastings our DC crew was hosting. I’ve had some wonderfully aged examples from Hair of the Dog and De Dolle over the years that remind me there’s absolutely positive potential in cellaring beers. But I’ve accepted I just don’t have a taste for oxidation… Nine times out of ten I’m going to prefer that beer fresh.

Same for vintage flights of Pinot. Ditto for aged sherry. Just how these tastebuds are wired.

As such… I’m always curious when people do keep a beer cellar (and not just of IPAs they forgot to drink… you folks know who you are). Where do you fall when it comes to aging beer? Do you keep a cellar? What styles do you like to age? (I’d totally accept a cellar full of lambic…) Have your habits evolved over time? Chime in on Twitter at @RareBeerClub.

Beyond the Bottle: Go-To Glassware

February 15, 2020 by Ken Weaver

Having received a bit of glassware over the holidays, my wife and I recently decided to wade through and reorganize our glass collection. (Most alcohol writers have more glassware than we know what to do with…) We’ve got three spots for glassware in the house: main section in the kitchen, a few windowed shelves in the living room (for wine glasses and snifters, so I can offset having to walk by how fancy I feel), and, thirdly, a nook for backup glassware. We did our best to Marie Kondo it up, trying to be mindful of what actually sparked joy to use.

Some stuff quickly got banished to the backup nook: hefeweizen glasses, the Spiegelau wheat beer glasses (both the shape and size of a rocket ship)… The more interesting part was what made it into the prime kitchen shelves. What was our go-to glassware we used all the time?

Here’s what those two shelves look like for us: A few thin, heavy-bottomed pilsner glasses. Two sets of glassware I designed for the comic—flexible, medium-sized wine goblets, both stemmed and stemless. A few wee and normal-sized nonics. And then the two things that I personally like drinking out of most, for different reasons. The first’s for pragmatic ones: a pair of Riedel Ouverture beer glasses, tulip-like and a perfect combo of nicely thin but thick enough that I haven’t broken them yet. The second are two small chalice glasses from Dieu du Ciel! in Montreal, for more personal reasons. Ali and I snagged these up at the brewery’s 10^th anniversary party back in 2008, when we were roadtripping to the west coast. They’re a little frou-frou and fragile—but they also hit the joy button and we should use them more.

What’s your go-to piece of beer glassware? Do you tend to reach for it because of functional or personal reasons? Are you glassware ambivalent? Chime in on Twitter at @RareBeerClub.

Beyond the Bottle: Hallertau Blanc Hops

November 15, 2019 by Ken Weaver

The Hallertau Blanc hop, prominently employed in this month’s featured To Øl Chateau Øl, is a relatively new option for brewers, first commercially released in 2012. A daughter of the Cascade hop, Hallertau Blanc was created by the Hop Research Center Hüll in the Hallertau region of Bavaria, Germany. It was specifically made in response to the growth in America’s craft beer industry, and BSG Hops suggests using them as one might southern-hemisphere hops: in styles like wheat beers, beers with Brettanomyces, Belgian-style ales, and a mélange of IPA and similar. The hops are considered to be on the tropical side of things, with notes of pineapple, passion fruit, fresh lemongrass, gooseberry, and grapefruit.

Almanac Beer Co. has used Hallertau Blanc hops in a wide variety of releases over the years, including in their White Label (paired with California-grown Muscat Blanc grapes, for good measure), various “de Brettaville” releases, and their Flavor Wheel series. Hallertau Blanc is one of the key hops in BrewDog’s Hazy Jane (of the more readily available options), while Stillwater Extra Dry is dry-hopped with Hallertau Blanc, Citra, and Sterling hops. Mikkeller, Grimm, The Kernel, Modern Times, Other Half, and a bunch of other breweries have been experimenting with Hallertau Blanc across a mélange of styles… so keep an eye out. Have a local option with Hallertau Blanc you’re digging? Chime in on Twitter via @RareBeerClub.

Beyond the Bottle: The Last Day of Christmas

October 15, 2019 by Ken Weaver

The Rare Beer Club has long been a supporter of The Bruery’s 12 Days of Christmas series, offering each release to RBC members dating as far back as 2009 with Two Turtle Doves, a Belgian-style dark ale brewed with cocoa nibs and toasted pecans. I’ve been working as the club’s newsletter writer for the latter half of the run—from 7 Swans-A-Swimming in 2014 to the present—and each release has combined the concept of Belgian brewers doing stronger, occasionally spiced dark beers for the holiday season with the annually rotating prompt from that 12 Days of Christmas song. 2 Turtle Doves riffed on ‘turtle’ candy. 3 French Hens used French oak barrels. 5 Golden Rings went a bit out-there—11.5% golden ale, with spices and pineapple. 8 Maids-a-Milking was an imperial milk stout… but fermented with Belgian yeast.

This year’s release of 12 Drummers Drumming marks the final release of the series, after 11 years of annual Belgian-style holiday beers, starting with Partridge in a Pear Tree. It’s worth taking just a moment to consider the series in context: it’s one of the first major (let’s call it) higher-concept series of annual one-off releases riffing on a core theme I can recall in craft beer, following in the SoCal footsteps of stuff like Stone’s Vertical Epic Series (02.02.02 to 12.12.12). Both are impressively ambitious projects, each taking over a decade to complete, and it’s especially neat that The Bruery’s started theirs in 2008—the same year they opened.

So, what other large-scale brewery release series am I totally overlooking? (The Lost Abbey’s Ultimate Boxed Set from 2012 comes to mind, though those 12 one-off beers were released monthly…) Also: have you been cellaring any of the 12 Days of Christmas series to pop with this year’s final release? Let us know on Twitter via @RareBeerClub.

Beyond the Bottle: The Lambic Life for Me

June 15, 2019 by Ken Weaver

Over the past five years or so, give or take, kettle sours have served to shift how people think about “sour beers.” Ten years ago, sour beer would more likely have been a mixed-fermentation example: a Belgian lambic, maybe, or a non-Belgian riff on lambic, probably aged in oak, probably for months or years. The yeast and bacteria involved in these complex fermentations take their sweet time. But with the rise of quick- or kettle-souring techniques, in which a firm presence of lactic acid is created basically overnight (by various means, only some of which involve yogurt), brewers can churn out lemony-tart “sour beers” super fast.

Except… they usually aren’t like the beers that made this space interesting in the first place.

If you dig kettle sours: that’s great. As the beer world expands, there’s a beer for everyone at this point—and that part’s cool as hell. But it also means there is more stuff that’s gonna be well outside of one’s wheelhouse. I love hazies, and loathe milkshake IPAs. I was grateful to see the doubly-coarse abomination that was black IPA meet an early end. And I honestly do not get the ongoing presence of one-note kettle sours—which felt like a bad idea years ago.

Once I remove the kids from my lawn, and once that massive cartooning windfall comes in (still waiting), I plan to fill the garage with lambic. The upside of kettle sours, for me and my wife, and frankly the majority of our peeps out here, is we can now magically find lambic on the shelves of California (albeit at sub-magical prices). Some of my favorite beer experiences have been from sour beers that take years to develop and benefit from careful blending skills that aren’t on the back of a yogurt container. I hope kettle sours continue to improve; there are definitely some Berliner-esque weisses and pseudo-goses that come across well. But, for now, I want nothing to do with that 9% sour IPA with pluot puree. The lambic life for me.

Beyond the Bottle: Dry, Bitter, Belgian

May 15, 2019 by Ken Weaver

In chatting with Garden Path’s Ron Extract about this month’s featured The Garden Paths Led to Flowered, he mentioned XX Bitter from Belgium’s Brouwerij De Ranke as being a point of inspiration for it. If you haven’t yet crossed paths with XX Bitter, it’s more bitter and expressive in its show of herbaceous, grassy hops than one would expect from a 6% blonde. And it’s also basically the perfect sort of beer for repeated pints: layered, not numbingly bitter, crisp with depth.

It was a bit easier to get hold of fresh XX Bitter and the similarly poised Taras Boulba (from Brasserie de La Senne) back when living in DC, as the fresh import options are a bit patchier these days in California. Our tasting crew in DC sought out these beers and any adjacent kin: Orval, De La Senne’s Zinnebir, Thiriez Extra (from France), Jolly Pumpkin’s Bam Biere… In basic terms: potent hops, but more traditionally noble/herbal/floral—plus supportive yeast.

Hoppy Belgian blonde… Belgian pale ale/IPA… Buncha overlapping terms for this general space. The Rare Beer Club has previously highlighted De Ranke’s XXX Bitter, an amped-up version of XX Bitter with 50% more hops. Up here in Sonoma County, some of the closer alternatives are session options like Redemption or, with a more neutral yeast, Aud Blond from Russian River—but still not quite that hop density + yeast combo of something like XX Bitter.

Have a dry, bitter, Belgian-inclined beer you’re digging? Chime in on Twitter via @rarebeerclub.