Beer Education Archives - Page 2 of 6 - Craft Beer Blog from The Beer of the Month Club

Beyond the Bottle: The Last Day of Christmas

October 15, 2019 by Ken Weaver

The Rare Beer Club has long been a supporter of The Bruery’s 12 Days of Christmas series, offering each release to RBC members dating as far back as 2009 with Two Turtle Doves, a Belgian-style dark ale brewed with cocoa nibs and toasted pecans. I’ve been working as the club’s newsletter writer for the latter half of the run—from 7 Swans-A-Swimming in 2014 to the present—and each release has combined the concept of Belgian brewers doing stronger, occasionally spiced dark beers for the holiday season with the annually rotating prompt from that 12 Days of Christmas song. 2 Turtle Doves riffed on ‘turtle’ candy. 3 French Hens used French oak barrels. 5 Golden Rings went a bit out-there—11.5% golden ale, with spices and pineapple. 8 Maids-a-Milking was an imperial milk stout… but fermented with Belgian yeast.

This year’s release of 12 Drummers Drumming marks the final release of the series, after 11 years of annual Belgian-style holiday beers, starting with Partridge in a Pear Tree. It’s worth taking just a moment to consider the series in context: it’s one of the first major (let’s call it) higher-concept series of annual one-off releases riffing on a core theme I can recall in craft beer, following in the SoCal footsteps of stuff like Stone’s Vertical Epic Series (02.02.02 to 12.12.12). Both are impressively ambitious projects, each taking over a decade to complete, and it’s especially neat that The Bruery’s started theirs in 2008—the same year they opened.

So, what other large-scale brewery release series am I totally overlooking? (The Lost Abbey’s Ultimate Boxed Set from 2012 comes to mind, though those 12 one-off beers were released monthly…) Also: have you been cellaring any of the 12 Days of Christmas series to pop with this year’s final release? Let us know on Twitter via @RareBeerClub.

Beyond the Bottle: The Lambic Life for Me

June 15, 2019 by Ken Weaver

Over the past five years or so, give or take, kettle sours have served to shift how people think about “sour beers.” Ten years ago, sour beer would more likely have been a mixed-fermentation example: a Belgian lambic, maybe, or a non-Belgian riff on lambic, probably aged in oak, probably for months or years. The yeast and bacteria involved in these complex fermentations take their sweet time. But with the rise of quick- or kettle-souring techniques, in which a firm presence of lactic acid is created basically overnight (by various means, only some of which involve yogurt), brewers can churn out lemony-tart “sour beers” super fast.

Except… they usually aren’t like the beers that made this space interesting in the first place.

If you dig kettle sours: that’s great. As the beer world expands, there’s a beer for everyone at this point—and that part’s cool as hell. But it also means there is more stuff that’s gonna be well outside of one’s wheelhouse. I love hazies, and loathe milkshake IPAs. I was grateful to see the doubly-coarse abomination that was black IPA meet an early end. And I honestly do not get the ongoing presence of one-note kettle sours—which felt like a bad idea years ago.

Once I remove the kids from my lawn, and once that massive cartooning windfall comes in (still waiting), I plan to fill the garage with lambic. The upside of kettle sours, for me and my wife, and frankly the majority of our peeps out here, is we can now magically find lambic on the shelves of California (albeit at sub-magical prices). Some of my favorite beer experiences have been from sour beers that take years to develop and benefit from careful blending skills that aren’t on the back of a yogurt container. I hope kettle sours continue to improve; there are definitely some Berliner-esque weisses and pseudo-goses that come across well. But, for now, I want nothing to do with that 9% sour IPA with pluot puree. The lambic life for me.

Beyond the Bottle: Dry, Bitter, Belgian

May 15, 2019 by Ken Weaver

In chatting with Garden Path’s Ron Extract about this month’s featured The Garden Paths Led to Flowered, he mentioned XX Bitter from Belgium’s Brouwerij De Ranke as being a point of inspiration for it. If you haven’t yet crossed paths with XX Bitter, it’s more bitter and expressive in its show of herbaceous, grassy hops than one would expect from a 6% blonde. And it’s also basically the perfect sort of beer for repeated pints: layered, not numbingly bitter, crisp with depth.

It was a bit easier to get hold of fresh XX Bitter and the similarly poised Taras Boulba (from Brasserie de La Senne) back when living in DC, as the fresh import options are a bit patchier these days in California. Our tasting crew in DC sought out these beers and any adjacent kin: Orval, De La Senne’s Zinnebir, Thiriez Extra (from France), Jolly Pumpkin’s Bam Biere… In basic terms: potent hops, but more traditionally noble/herbal/floral—plus supportive yeast.

Hoppy Belgian blonde… Belgian pale ale/IPA… Buncha overlapping terms for this general space. The Rare Beer Club has previously highlighted De Ranke’s XXX Bitter, an amped-up version of XX Bitter with 50% more hops. Up here in Sonoma County, some of the closer alternatives are session options like Redemption or, with a more neutral yeast, Aud Blond from Russian River—but still not quite that hop density + yeast combo of something like XX Bitter.

Have a dry, bitter, Belgian-inclined beer you’re digging? Chime in on Twitter via @rarebeerclub.

Beyond the Bottle: More Beers with Tea

April 15, 2019 by Ken Weaver

One of the two featured craft beers in The Rare Beer Club this month is Brasserie Dunham’s Pale Duck, a dry-hopped and tea-infused saison that has Dan Cong oolong tea added just prior to botting. Eloi and company over at Brasserie Dunham wanted to develop a new beer with tea based on one of their core offerings, Leo’s Early Breakfast IPA: a collaboration with Anders Kissmeyer that includes guava and Earl Grey tea atop a more traditional IPA framework. At least one beer made with tea has been featured in the Rare Beer Club previously, as some of the club’s long-time members may recall Biere de Goord: Jolly Pumpkin’s green-tea saison.

Best Tea Beers

If you’re enjoying Pale Duck, or just curious about beers with tea to try, you’ll likely have a few options available nearby.

Sah’tea by Dogfish Head Brewery

Dogfish Head’s Sah’tea, which originally debuted back in 2009, was probably my first tea beer (as was true for a lot of folks), although it’s been bit since this one’s seen a bottling. Modeled after a Finnish beer from the 9^th century, the wort for Sah-tea is “caramelized over white-hot river rocks,” and uses foraged juniper berries and black tea.

Hopfentea by Perennial Artisanal Ales

A more frequent appearance, Perennial’s Hopfentea is a 4.2% Berliner Weisse-style ale steeped on a house-made tropical tea blend, including hibiscus, lemongrass, mango, and papaya.

Magic Ghost by Brasserie Fantôme

And Fantôme’s Magic Ghost specifically incorporates green tea in its funky and strong Belgian ale framework. (And now that I look it up… It was featured by The Rare Beer Club way back in 2011.)

Lots of breweries are experimenting with different types of tea as of late. Got a local beer option made with tea you’re digging? Let us know what’s good on Twitter via @RareBeerClub.

Beyond the Bottle: Mango Beers

February 15, 2019 by Ken Weaver

If a fruit exists, there’s a solid chance it’s been made into a beer by this point. But mango is one of those periphery fruits that, while used nowhere near as frequently as classic additions like, say, cherries and raspberries, still tends to feature consistently well in beers like tropical IPA. Hop varieties like Citra, Galaxy, Mosaic and Azacca can give mango notes to beer sans the addition of actual fruit, while providing easy anchor points when using actual mango.

There’s definitely more than one way to mango. Hundreds of mango varieties and cultivars exist, turning yellow to oxblood in color when ripe, and they’re cultivated all over the world (with around half of the world’s production coming from India). When my wife and I were teaching school down in Nicaragua for a few months, there were these massive mango trees outside the schoolhouse, and the kids knocked the fruit down with long sticks and ate every single one green. (YMMV when it comes to trying this out with varieties found stateside…)

For folks looking for more mango-y options, there are a bunch about. In additional to your local brewer’s seasonal options, Omnipollo’s Bianca Mango Lassi Gose has seen some solid distribution stateside, melding mango puree to a gose framework.

For a fruited IPA of more biblical proportions, keep an eye out for To Øl’s Garden of Eden, an IPA with additions of apricot, guava, mango, papaya, and passionfruit. It might even prevent scurvy.

Got a mango or fruit beer you’ve been digging? Let us know what’s tasting good on Twitter via @RareBeerClub.

Beyond the Bottle: Enjoy It While It Lasts

November 16, 2018 by Ken Weaver

All About Beer Magazine had been one of the leading beer publications in the country for 39-ish years. While I wouldn’t be surprised if the brand re-emerged in a different form, you can read more about what’s been going down over at Jeff Alworth’s Beervana blog—“After 39 Years, All About Beer Magazine is Dead”—or via the Forbes article “RIP All About Beer.”

It’s been a weird couple years.

I was one of the last folks to depart the All About Beer editorial team, though I kept doing my Trending column over there through the magazine’s final printed issues. That editorial team, led by John Holl and then Daniel Hartis up until the end, was the most supportive group of beer writers and editors I could’ve asked for. Managing editor Jon Page and our designer Jeff Quinn helped steer the mag to what I’m inclined to believe were some of its brightest years. And Hartis and I had some awesome theme issues planned that never saw the light of day.

For those of you who read the mag—thank you for supporting independent beer journalism. If you’re looking for something else to read, Holl’s an editor at Craft Beer & Brewing Magazine these days. I’ve got my first piece for the revamped BeerAdvocate Magazine in their latest issue. Support those publications that serve you well. They’re not going to be around forever.

Beyond the Bottle: Great American Beer Fest Notes

October 10, 2018 by Ken Weaver

Knocking out this latest column right after getting back from Denver. It was my fourth year judging out at the Great American Beer Festival, and it’s one of the parts of my involvement in the industry that’s particularly rewarding each year. Three days, and up to six flights a day, of beers across varying styles and executions, judged blind with some of the more thoughtful and experienced palates in the beer world. This year we were 298 judges across 12 countries, sensorily combing through approximately 8,650 beers entered by 2,400 American breweries.

Also: 391 entries in the new hazy/juicy IPA category. Which gives you a sense of tone.

Some clips from the highlights reel: The competition is in the process of transitioning fully to an eJudging platform, so I got to knock out some of my first-round notes with a tablet—which I think is guaranteed to streamline the process and clarity of notes going forward, and they’re rolling it out carefully. During the sessions of the beer festival itself: it was interesting to see lines snaking away from hazy-focused spots like Weldwerks and Great Notion, where that fanfare hadn’t quite crested a few years ago when we’d first seen them. Weldwerks’ end-corner booth had a dedicated side for brewers and judges; even that tended to have a line. I chatted with a few folks about what it means to have a competition with an increasingly less familiar set of names winning awards as the industry expands, and if that’s cause for concern. As expected: Certainly saw a number of Brut IPAs at the fest. On the Rare Beer Club front: shout out to The Bruery for taking a bronze for Mischief—their 10^th GABF medal to date.